There is a line from an old song that says that ‘you don’t miss your water till your well runs dry.’ In that light you don’t know you miss Jason Ringenberg until a new album arrives on your desk. Ringenberg says himself, in the sleeve notes, that he didn’t think there was an “internal drive or external demand to maintain a recording career.” Yet here he is and it’s great to have him back. The impetus for this venture was when he was made an artist in residence at Sequoia National Park. Spending a month in a mountain cabin, the location proved inspirational and he wrote several of songs that form the core of this album.
This is prime Ringenberg, writing songs that are often humorous as well as heartfelt. To bring the album to fruition he co-produced with Mike Lescelius and decided to record in Misunderstudio in Illinois. He brought in two members of one of his college bands Tom Miller and Gary Gibula as the rhythm section and he then added players to fit the songs, such as George Bradfute, Fats Kaplan, Steve Fishell and guitarists Robbie Stokes, Andrew Staff and Richard Bennett amongst others. This set of musicians perfectly realise what is one of Ringenberg’s most enjoyable and diverse albums. The funding for the recording came from friends and fans who knew that Jason Ringenberg’s mission was not yet done.
The album opens with a strong, rounded and evocative instrumental, Stand Tall, which he notes took longer to get the right atmosphere than any other track he has recorded. From there on we get songs about The Ramones, John The Baptist (in which he notes that Baptist was a real humdinger), a Civil War story and a disenchanted soldier in I’m Walking Home. Here In The Sequoias is a song about the overall experience of being surrounded in such all-purpose environment. John Muir Stood Here is a more folk-based song that again is evocative of this special location.
While the majority of the songs are written by Ringenberg with one Looking’ Back Blues written with his old friend Arty Hill. There are two songs that were added to the project when they turned out so well in the studio; they are Many Happy Hangovers To You (a Jean Shepard classic written by Johnny McCrae) which is delivered with tongue firmly in place. It also features some vibrant steel and electric guitar playing that is testament to the band enjoying themselves. The final track is his take on the old Bob Dylan song Farewell Angelina and it closes the album on a quiet note but on that is equally redolent of a revived spirit and passion.
Ringenberg, like fellow Nashville resident Jim Lauderdale, should be now be considered icons of determination with careers that have gone through ups and downs but now care only to make the kind of music that they feel in their souls. Both are decent men doing the very best they can to make the world a better place (musically at least). Take a bow and stand tall Jason.
By Stephen Rapid